Working Is Networking

"We are all dependent on one another, every soul of us on earth." - George Bernard Shaw (1856 - 1950)

The idea that "no man is an island" couldn't be more true than for a writer.  While many people imagine a life of solitude, where the writer spends her days in a dark cave -  a hermetic alcoholic, the truth is that today's Hollywood screenwriter needs to be very well connected and quite the social butterfly if she wants to succeed.
One way to stay connected and extend our reach (audience) is by embracing technology.  Easier said than done for those of us over 40 who did just fine before the days of Facebook and Myspace.  Embracing new technology is not as easy or fascinating for us as it may be for those writers who came along just a single generation later.

Back in the day, we knew and appreciated the importance of face time.  We followed up meetings with thank you letters (yes, snail mail) or phone calls.  It wasn't uncommon for a person to have 50 or 100 numbers committed to memory and leaving behind an address book at a party was only a partial inconvenience.

Today the concept of staying in touch is pretty much the same but the mechanisms are very different.  We can now keep up with thousands of our friends and contacts at a time.  And, as in the past, it's crucial to "like" or a comment when an associate posts something of mutual interest on a social networking site.  After all the hard work of writing and editing your masterpiece you're going to want an audience it share it with.  You can begin to develop that audience now.

A big piece of the successful marketing campaign for WATERCOLORS involved word of mouth, blogging,  an active presence on multiple social network sites and other online strategies.  This led to countless opportunities for screenings, print and television interviews and other publicity that helped boost the film's DVD sales.

Identify who the editors, publishers, agents and producers are in your field.  Start your own little database of people who could be influential to your development as a writer.  Get to know their needs and preferences.  When you have a project you know is a match, reach out to them.  Nothing ventured nothing gained.  Few things are as important to success as getting your name out there.  Today, the tools are almost unlimited.

This week's suggested website:  Oneword.com (www.oneword.com)  This site has devised a fun and effective writing tool.  Log in (it's free) and the site provides you with one stimulus word.  The assignment is to write something that pertains to that word (off the top of your head) for one minute without stopping.  A timer will let you finish your last sentence after sixty seconds.  Log in and see what other writers came up with using the same word.  This is a great way to stay sharp.


This week's writing prompt:  Give yourself five uninterrupted minutes of quiet time.  This week's exercise deals with personification and perspective.  Can you bring life to an inanimate object?  Disney did -- time and time again.  Imagine your sunglasses could talk back to you.  What would they say?  What do they want out of life?  What are they afraid of?  It's all a matter of perspective.  Get inside the "head" of your toaster.  What does it long for?  Have fun with this one.  Give your selected object a personality (a paranoid bicycle), some fatal flaw, a compulsive behavior (or anything else that strikes your fancy).  Make it come alive.  Give it center stage and let it have its say.  Have a great writing week.  

Can Artists Be Organized?

Like many people, I struggle with being organized, both in my personal life and in my writing.  But, every now and then something lights a fire under my butt and I go into "ACTION" mode.  A day of intense house cleaning does wonders for moving your life and creativity forward.  Clearing out the cobwebs of doubt, fear, indecision, etc.  is a necessary process to ensure a healthy artistic life and push through to clarity.

Frustrated that I haven't finished a significant piece of work in a while (it happens to every writer), I called a friend of mine who's a producer in New York and someone who's opinion I trust to have a bitch and moan session.  Afterward, I decided to take  stock of where I was with my various projects.  I had a vague idea that I was juggling multiple story lines, characters, etc. in my head for some time but didn't have a clue to what extent.

After spending some time digging through piles of old notes, scanning my hard drive for computer files of character breakdowns, treatments, etc.  I realized that I had no less than seven feature films, five television shows and two novels swirling around in my head and in various stages on paper.  I was even seventy pages deep into one script idea.  I never realized I had so much material.  I actually had been very busy all along.   I hadn't seen any "real" progress because my efforts were spread thin to say the least.

Now, I found the fortitude to hunker down, focus and finish something.  I have tons to work with.  And I'm relieved to find out I haven't been meandering, wasting time getting nowhere.  I was just momentarily scattered and maybe a little dejected -- common states of emotion that all writers need to get used to.  Does any of this sound familiar?  Do you go through a similar process of creative monsoons followed by what seem like creative droughts?

Perhaps the most influential book on creativity and more importantly the psychosis of a creative person I've ever read is Julia Cameron's "The Artist's Way."  In more ways than I could ever express here, she has kept me sane.  She really covers it all, rejection, self-doubt, writer's block, commitment, etc.  Her exercises are fun and effective.  She's a true lover of the creative process and understands it from the inside.  I truly urge you to take a look at her work - it will influence your own for certain.

Maybe being organized doesn't come naturally for you either but cultivating the habit of being organized can help when the ideas are pouring in on top of each other.  Organization helps us affirm that our work is valuable and has a place in the world, namely, prominently displayed!

This week's suggested website: The Poetry Foundation. Publishers of Poetry Magazine.  These guys have been around for over 90 years, well worth checking out.  (www.poetrymagazine.org) Nothing informs your imagination and feeds your creativity like poetry.  


This week's writing prompt:  Give yourself five uninterrupted minutes of quiet time. I call this exercise adding to The Golden Notebook.   I hope you'll use it for years to come.  It's a simple yet powerful tool for affirmation, a yardstick to measure your writing progress over the years, and a deep well of inspiration when you feel you may have writer's block.  Here's how I found it works best for me:  Take your favorite notebook and create a master list of the titles of all the projects you've ever contemplated undertaking.  Imagine that you've already written them all.  Then list next to each title a small logline or 3 line synopsis of that work.  Treat it as if you were asked to catalog the works of a great master.


Here's an example from my own Golden notebook.


Title: Blood and Grace
An up and coming Spanish matador develops a growing obsession with a touring Russian ballerina.




Title: Jasmine Hill
A frustrated novelist and professor of English at a prestigious New England university goes on sabbatical when she can't get a publisher interested in her latest novel.


Keep your Golden Notebook filled with the seeds of your future masterpieces.  This is where you'll come to when you're ready to plant something in the fertile ground of your writing.  The best ideas will always find a way to capture your attention and force you to plant them, fertilize them, harvest them and share the bounty.